Image of a Beverley document, East Riding Archives, shelfmark BC II 3 folio 13r.
REED logo from Kempes Nine Daies Wonder (1600), original online at Wikimedia Commons.


Saturday 28 March 2026

 

Theatre in the Archives: A REED Retrospective

 

University of Durham

Elvet Riverside 1, New Elvet, Durham DH1 3AQ

 

Hosted by Mark Chambers.


 

 REGISTRATION

Registration is now open for the 2026 Medieval English Theatre Society Meeting.
The registration fee is £25 (or £15 concessions for postgraduates/ unwaged/ etc.) and includes lunch and tea/coffee. You can register HERE.
Please note that Event Durham will close registration at 12pm on 13 March, so please do register promptly!

 


 

  PROGRAMME

Full printable version (pdf)


We will hold an informal conference dinner on Friday evening at attendees’ own expense. This will take place in the ‘Rabbit Hole’ restaurant on Hallgarth Street (Cantonese/‘fusion’ cuisine; menu available here). Please inform Mark in advance if you’d like to attend (mark.chambers@durham.ac.uk).

 

   9.00 onwards

Registration and Coffee   

 

   9.20

Welcome    

 

   9.30-11.00

Panel 1: Reconsidering ‘Performance’ in the Archive
Ben Parsons (University of Leicester):
          ‘Mum’s the Word: E.K. Chambers, Horatia Eden and the Lutterworth St George Play’
Phil Butterworth (University of Leeds):
          ‘The York Mercers’ “pottyng stang”: Further Consideration of its Function’
Sarah Carpenter (University of Edinburgh):
          ‘“Is this a Drama Record?”: Sir David Lyndsay and Pursuing Traces of Performance’

 

   11.00

Coffee

 

   11.20-12.50

Panel 2: ‘Celebrating’ Performance in the Archive
James Cummings (University of Newcastle):
          ‘Re-examining the Records: The Bishop’s Lynn Christmas Play of 1444/45’
Daisy Black (University of Wolverhampton):
          ‘Apple, Spice, Wine, Ale: Mundane and Sacred Foods in Early Performance Cultures’
Mark Chambers (University of Durham) :
          ‘50 Years of the Records of Early English Drama: The New, the Notable, the Necessary’

 

   12.50

Mark Chambers and/or Cecilia Istria-Dorland):
          Introduction to the afternoon play

 

   13.00-14.00

Lunch

 

   14.00-15.30

Diana Wyatt (York):
          ‘“Contempt and disdayne” or Satirical Theatre? Alice Walker’s Cross-dressing Turn in Driffield Church, 1582, and its Status as a REED Record’
Isabelle Lepore-Thompson (Open University):
          ‘The Lost Miracle Play: Contextualising the Ludus de Sancta Katerina (c.1110–1115)’
Patrick Durdel (University of Oxford):
          ‘The Group Theatre’s Fulgens and Lucrece: Modern Archival Records and Practice-as-Research’

 

   15.30

Break

 

   16.00

Performance of the York Skinners’ ‘Entry Into Jerusalem’ pageant, Scena Mundi Theatre Co., directed by Cecilia Istri-Dorland, St Oswald’s Church, Church Street.

 

   17.00-18.00

METh business meeting, with wine

 


Prior Lawrence of Durham (d. 1154), composer of the Durham Peregrini play (mid 12th c.),
‘The Works of Lawrence of Durham’, Durham UL Cosin MS V.iii.1, fol.22v,
courtesy of the Durham Priory Library.



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© Meg Twycross 2026