| AUTHOR |
TITLE |
VOLUME |
PAGES |
| D |
| Danchin, Pierre |
Le Developpement du spectaculaire sur le th tre anglais (1600 1800): Le R le des prologues et
pilogues
Find |
16 |
166 176 |
| Davis, Nicholas |
Allusions to Medieval Drama in Britain (1): A Findings List
Find |
4:2 |
75 76 |
| Davis, Nicholas |
Allusions to Medieval Drama in Britain (3): A Findings List
Find |
5:2 |
83 86 |
| Davis, Nicholas |
Allusions to Medieval Drama in Britain (4): Interludes
Find |
6:1 |
61 91 |
| Davis, Nicholas |
Allusions to Medieval Drama in Britain (5): Old English
Find |
6:1 |
61 91 |
| Davis, Nicholas |
Allusions to Medieval Drama in Britain: He had a Great Pleasure upon an Ape :
William Horman s Vulgaria
Find |
7:2 |
101 106 |
| Davis, Nicholas |
Another View of the Tretise of Miraclis Pleyinge
Find |
4:1 |
48 55 |
| Davis, Nicholas
| The Meaning of the Word Interlude: A Discussion
Find |
6:1 |
5 15 |
| Davis, Nicholas |
Spectacula Christiana: A Roman Christian Temple for Medieval Drama
Find |
9:2 |
125 152 |
| Davis, Nicholas |
The Tretise of Myraclis Pleyinge: On Milieu and Authorship
Find |
12:2 |
124 151 |
| Dean, William |
Some Aspects of the Law of Criminal Procedure in The Trial of Ismael in Nice Wanton
Find |
13 |
27 38 |
| Diller, Hans-J rgen |
The Torturers in the English Mystery Plays
Find |
11
| 57 65 |
| Dillon, Janette |
John Rastell s Stage
Find |
18 |
15 45 |
| Dillon, Janette |
Performance Time: Suggestions for a Methodology of Analysis
Find |
22 |
33 51 |
| Divett, Anthony W. |
An Early Reference to Devil s Masks in the Nottingham Records
Find |
6:1 |
28 30 |
| Dutton, Elisabeth |
My Boy shall Knowe Himself from Other Men : Active Spectating, Annunciation, and the St John s College Narcissus
Find |
38 |
68 83 |
| E |
| Egan, Clare |
Now Fearing neither Friend nor Foe, to the Worldes Viewe these Verses goe : Mapping Libel Performance in Early-Modern Devon
Find |
36 |
70-103 |
| Egan, Clare |
Reading Mankind in a Culture of Defamation
Find |
40 |
116 147 |
| Egan, Clare |
Women and the Performance of Libel in Early-Modern Devon
Find |
38 |
145 162 |
| Elliott, John |
Vestiges of Medieval Drama in Spain: The Passion Play in Baena (Cord ba)
Find |
10:1 |
56 62 |
| Epp, Garrett P.J. |
Into a Womannys Lyckenes : Bale s personification of Idolatry. A Response to Alan Stewart
Find |
18 |
63 73 |
| Epp, Garrett P.J. |
Passion, Pomp, and Parody: Alliteration in the York Plays
Find |
11 |
150 61 |
| Epp, Garrett P.J. |
Thus am I Rent on Rode : taking apart the Towneley Crucifixion
Find |
37 |
119 133 |
| Evershed, Elizabeth |
Meet for merchants? some implications of situating Skelton s Magnyfycence at the
Merchant Tailors Hall
Find |
27 |
69 85 |
| F |
| Fletcher, Alan J. |
Farte Prycke in Cule : A Late-Elizabethan Analogue from Ireland
Find |
8:2 |
134 139 |
| Fletcher, Alan J. with Meg Twycross and Malcolm Jones |
Farte Prycke in Cule : The Pictures
Find |
23 |
100 121 |
| Forbes, Derek |
A Note on Pageant Waggons
Find |
6:1 |
4 |
| Forest-Hill, Lynn |
Lucian s Satire of Philosophers in Heywood s Play of the Wether
Find |
18 |
142 160 |
