Medieval English Theatre: Index AC

Cumulative Index

Volumes 1-32

Click Find after each title to go to the relevant volume. The later volumes include summaries and PDFs of one or two pages.

Reports on Productions

AUTHOR	TITLE	Volume	Pages
A
Anderson, John	The Newcastle Dragon Find	3:2	67–68
Anderson, John	The Newcastle Pageant ‘Care’ Find	1:2	60–61
Axton, Richard	Royal Throne, Royal Bed: John Heywood and Spectacle Find	16	66-67
B
Baldwin, Elizabeth	John Seckerston: The Earl of Derby’s Bearward Find	20	96–105
Baldwin, Elizabeth	‘Making a Song and Dance About It’: (Self) Presentation in ‘The Ballad of John Spenser, The Cheshire Gallant’ Find	29	17–26
Baldwin, Elizabeth	A Note on the Chester pageant route Find	27	131–132
Bawcutt, Priscilla	A Note on the Term ‘Morality’ Find	28	171–174
Brown, John	The Devils in the York Doomsday Find	11	26–41
Butterworth, Philip	The Baptisme of Hir Hienes Darrest Sone in Stirviling Find	10:1	26–55
Butterworth, Philip	Gunnepowdyr, Fyre, and Thondyr Find	7:2	68–76
Butterworth, Philip	Hugh Platte’s Collapsible Waggon Find	15	126–36
Butterworth, Philip	Magic Through Sound: Illusion, Deception, and Agreed Pretence Find	21	52–65
Butterworth, Philip	Parts and Parcels: Cueing Conventions for the English Medieval Player Find	30	99–120
Butterworth, Philip	Prompting in Full View of the Audience: The Groningen Experiment Find	23	122-171
Butterworth, Philip	The York Crucifixion: Actor/Audience Relationship Find	14	67–76
Butterworth, Philip	The York Mercers’ Pageant Vehicle, 1433–67: Wheels, Steering, and Control Find	1:2	72–81
C
Carpenter, Sarah	Drama and Politics: Scotland in the 1530s Find	10:2	96–105
Carpenter, Sarah	Masks and Mirrors: Questions of Identity in Medieval Morality Drama Find	13	7–17
Carpenter, Sarah	Morality-Play Characters Find	5:1	29–52
Carpenter, Sarah	‘My Lady Tongue’: Thomas Tomkis’s Lingua Find	24	3–14
Carpenter, Sarah	New Evidence: Vives and Audience-Response to Biblical Drama Find	31	3–12
Carpenter, Sarah	The Sixteenth-Century Court Audience: Performers and Spectators Find	19	3–14
Sarah Carpenter	To thexaltacyon of noblesse': a herald's account of the marriage of Margaret Tudor and James IV Find	29	104–120
Carpenter, Sarah	Walter Binning: Decorative and Theatrical Painter Find	10:1	26–55
Carpenter, Sarah & Graham Runnalls	The Entertainments at the Marriage of Mary Queen of Scots and the French Dauphin François, 1558: Paris and Edinburgh Find	22	145–161
Carpenter, Sarah & Meg Twycross	Masks in Medieval English Theatre: The Mystery Plays Find	3:1	7–44
Carpenter, Sarah & Meg Twycross	Masks in Medieval English Theatre: The Mystery Plays 2 Find	3:2	69–113
Carpenter, Sarah & Meg Twycross	Materials and Methods of Mask-making Find	4:1	28–47
Sarah Carpenter & others	Thoughts on ‘Transvestism’ by Divers Hands Find	5:2	110–122
Cartwright, John	From the Old Law to the New: The Brussels Eerste Bliscap van Maria Find	20	120–8
Cartwright, John	The ‘Morality Play’: Dead End or Main Street? Find	18	3–14
Castaño, Joan	Documentary Sources for the Study of the Festa of Elche Find	12:1	2–33
Cavanagh, Dermot	Skelton’s Magnyfycence and tragic drama Find	27	53–68
Chacón Carmona, Vicente	Singing Shepherds, Discordant Devils: Music and Song in Medieval Pastoral Plays Find	32	62–8o
Chaplan, Rosemary E.	‘Farewell, jentyll Jaffrey’: Speech-act Theory and Mankind Find	11	140–149
Charpentier, Hélène	Le mal, sa représentation et sa rétribution dans Le mystère du Viel Testament Find	11	104–115
Clopper, Lawrence M.	The Chester and the Other English Shepherds’ Plays Find	30	81–98
Corbett, Anthony G.	God: One Intention of the Author in the York Old Testament Plays from The Fall of the Angels to The Expulsion Find	14	102–119
Cowling, Jane	The Wood Eaves Find	17	20–28
Crouch, David	Paying to See the Play: The Stationholders on the Route of The York Corpus Christi Play in the Fifteenth Century Find	13	64–111

Reports on
Productions